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Stage 2 Developing Specialist Practice

Body-Identities

"How does the body shape the way we think? Is this even the right question, or should it perhaps be the other way around; how does our thinking influence the body?"

Explore the idea of 'The body as an identity'

Invisible body: Visual, AI, Futuristic

Diverse body: Gender, Age, Race

Physical body: Skin, Hair, Veins, Scars

Political body: Battleground, Religion, Race

Sensory body: Limbs, Organs, Bones, Blood

Idea of beauty: Aesthetics, Social media

Artist research

Misha Japanwala's Azaadi -

Collection of sculpted 'garments'

Homage to strength and bravery of the women in pakistan.

She casted different parts of her body and layered them onto herself as a shield or armour.

misha japanwala azaadi.jpg
misha japanwala azaadi 2.jpg

Romy yedidia, the body as contested space -

collection of casted body parts

Takes the concept of perception and ownership of women and casts it as part of a performative sculpture series using her own body.

romy yedidia.jpg
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Encounters

08/01/21

Research a subject in the ‘expanded field’- this is essentially the issues/subjects that exist outside the field of Art and Design, eg: History, Politics, Science, Maths, Literature, Poetry, Philosophy, Psychology, Gender, Mythology, etc.Develop a concept then produce work in any subject area that relates to your creative specialism, eg: Costume, Textile, Painting, Graphics, Sculpture, Graphic Communication, Theatrical Prop, Animation, Illustration, Film, Sound, performance, installation, interior architecture, drawing. Record and evaluate thoroughly all of your ideas, development and process.

Initial ideas and thoughts-

Science: Biology, animal anatomy, life size model/sculpture? dog, cat, rabbit, skeletal, muscle or flesh?

Mythology: Mythical animal, extinct animal, sculpture/model? dragon, griffin, unicorn, loch ness monster (nessy)?

Beth Cavener-

An American artist that's a classically trained sculptor. she builds complex metal armatures to support massive amounts of clay. She primarily uses animal figures which embody the complexity of human emotion and behaviour. Cavener addresses controversial subject matter head on and in direct opposition to the reputation of her chosen medium, clay. She focuses her sculpture on human psychology, stripped of context and rationalization, and articulated through animal forms. Her process is very physical, involving thousands of pounds of clay sculpted by hand. Her work is  large and dynamic, evoking fear and anxiety that is distinctly human even though it is presented through animal forms. The body language of these animal forms are metaphors for how humans think and feel, and they act as a psychological portrait more than a physical representation.

14/01/21

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Nick Mackman-

An award winning sculptor of ceramic and bronze animal sculptures. Many of her subjects are highly endangered and she actively supports the work of animal and nature conservation charities at home and abroad. "I need to understand the animal, its environment, behaviour and personality. I need to know its story and what it’s feeling; is it vulnerable, sleepy, proud, frightened, angry, playful?

Most of my animal sculptures are based on observations made in the wild. This is the only way to really connect with the animal on its own level." [http://nickmackmansculpture.co.uk/about] 

21/01/21

cat sculpture.jpg
armadillo sculpture.jpg
hare sculpture.jpg
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